Wanted to pass along a couple of brief updates on the playwright process, with developments that have occurred regarding the first script.
First, a couple of weeks ago, Jamie completed the process of cutting Thou Fair Eliza into a one-act version and submitted the cutting to the University Interscholastic League for approval for use in this years One Act Play competition. Thursday, September 20, 2018, Jamie received approval for the play. This is a big step, particularly for an unpublished play. Thankfully, she can proceed forward and does not have to select a new play. It also means I'm considering going forward with a copyright on the one-act version, to have a preferred cutting protected (useful in Texas, particularly).
Secondly, we had noticed that Samuel French was licensing Pygmalion: A Romance in Five Acts by George Bernard Shaw, even though it did not have its own script, but was rather sending customers to a Penguin Books version. Odd for the script issue and odd to have a license on a script with the base text in the public domain, unless they are licensing a specific revision later copyrighted. I've been in contact with Samuel French, but am still waiting on an explanation of what their license purports to cover, specifically. Their answer could propose a problem if they are claiming everything (improperly, though I might add).
Interesting developments all and the copyright application is still working its way through the system. It's a waiting game, and I've never been too good at waiting patiently, virtue it may be.
I'll pass along more as I know it.
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